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trick·ster (tr
n.
1. One that swindles or plays tricks.
2. often Trickster A
mischievous or roguish figure in myth or folklore, often an
animal,
who typically makes up for physical weakness with cunning and subversive
humor.
3. a mischievous, knavish figure of
myth and folklore, often simultaneously a being
with supernatural powers and a culture hero.
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Tricksters
Tricksters are archetypal, almost always male,
characters who appear in the myths of many different cultures. As their name
suggests, tricksters love to play tricks on other gods (and sometimes on humans
and animals). But perhaps the best definition of a trickster is the one given
by Lewis Hyde: "trickster is a boundary-crosser" (7). By that, he
means that the trickster crosses both physical and social boundaries-- the
trickster is often a traveller, and he often breaks societal rules. Tricksters
cross lines, breaking or blurring connections and distinctions between
"right and wrong, sacred and profane, clean and dirty, male and female,
young and old, living and dead" (Hyde 7). The trickster often changes
shape (turning into an animal, for example) to cross between worlds. In his
role as boundary-crosser, the trickster sometimes becomes the messenger of the
gods.
Lewis Hyde notes that in addition to crossing
boundaries, trickster also creates them: "In several mythologies, for
example, the gods lived on earth until something trickster did caused them to
rise to heaven" (7). Since they are so clever, tricksters often invent new
cultural goods or tools (e.g., making fire, musical instruments). Sometimes
they are depicted as creators or makers of the world. Often, the deeds of
tricksters end up being responsible for the way the world is now.
But there is another side to the trickster. As
David Leeming notes, "he is sexually over-active, irresponsible, and
amoral. But it is that very phallicism that signifies his essential
creativity" (God 24). Tricksters are also creative liars. They lie
in order to obtain sex or food, or the means to cook or procure food. Many of
their tricks originate in this quest for food or sex. Lewis Hyde writes,
"Trickster lies because he has a belly, the stories say; expect truth only
from those whose belly is full or those who have escaped the belly altogether"
(77).
Although he is clever, trickster's desires
sometimes land him in a lot of trouble. Leeming notes that "he is often
the butt of his own tricks, and even in his creative acts he is often crude and
'immature'" (God 24). In hunting cultures, the trickster is often
depicted as a clever but foolish animal, led by his appetites. For example, in
American Indian cultures, the trickster is often called "coyote" or
"raven." Paul Radin writes:
. . . as found among the North American Indians,
Trickster is at one and the same time creator and destroyer, giver and negator,
he who dupes others, and who is always duped himself. He wills nothing
consciously. At all times he is constrained to behave as he does from impulses
over which he has no control. He knows neither good nor evil yet he is
responsible for both. He possesses no values, moral or social, is at the mercy
of his passions and appetites, yet through his actions all values come into
being. But not only he, so our myth tells us, possesses these traits. (xxii)
Not all mythologists would agree that tricksters
"will nothing consciously" and have "no control." But it is
true that the trickster is often the wise fool.
Trickster tales have different functions in various
societies. Certainly the stories are told because they are funny and
entertaining; but they are also in some sense sacred. Radin reports that the
reaction to trickster stories "is prevailingly one of laughter tempered by
awe" (xxiv). Hyde notes that tricksters always function within some sort
of "sacred context" (13). But in addition, as John Lame Deer said,
tricksters "are sacred [because] we Indians also need their laughter to
survive" (quoted in Erdoes and Ortiz xxi). Tricksters need the more
serious gods to bounce off from and create their mischief. However, Richard
Erdoes and Alfonso Ortiz point out that even supposedly serious chief gods can
share some of the trickster's traits: for example, Zeus is both an philanderer
and a shape-shifter--he changed into a swan in order to make love to Leda and
into a shower of gold in order to impregnate Danae (xiv-xv). Zeus is also known
for his ability to trick and outwit his rivals--remember the stories about
Kronos and Metis?
Certainly, trickster stories are told for fun and
laughs, and a trickster like Bart Simpson is a great character to get a plot
started and entangled. But trickster stories also have something to say about
how culture gets created, and about the nature of intelligence. Trickster
represents a certain flexibility of mind and spirit, a willingness to defy
authority and invent clever solutions that keeps cultures (and stories) from
becoming too stagnant.
Generic Trickster Questions
1. Tricksters often show up flaws in the "big
gods." Why? (If tricksters threaten order, authority, and hierarchy, then
why do you think they appear in stories?) In what ways is the intelligence of
the top gods like or unlike that of the tricksters? (Think of Metis.)
2. In what ways do tricksters mediate between gods
and men? Why do you think tricksters take the side of humans? (Do they always?
In Norse Myths 3 and 10, Loki helps the gods build the wall and gain
valuable treasures. Think also of Hermes and Hephaistos.)
3. What do you think these trickster stories say
about the uses and character of cunning intelligence? (Can intelligence be both
evil and good? When and why?)
4. Tricksters can be both creators and destroyers.
When and why?
5. When do tricksters cause trouble and why?
Works
Cited
•
Erdoes, Richard, and Alfonso Ortiz, eds. American
Indian Trickster Tales. New York: Penguin, 1998.
•
Hyde, Lewis. Trickster Makes This World:
Mischief, Myth, and Art. New York: Farrar, Straus and Giroux, 1998.
•
Leeming, David Adams. The World of Myth: An
Anthology. New York: Oxford UP, 1990.
•
Leeming, David Adams and Jake Page. God: Myths
of the Male Divine. New York: Oxford UP, 1996.
Radin, Paul. The Trickster: A Study in American Indian Mythology.
2nd ed. New York: Schocken, 1972.
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